Neville Brody and
Jon Wozencroft ignited FUSE in 1991 as a “dynamic new forum for typography that [would] stimulate a new sensibility in visual expression, one grounded in ideas, not just image.” More than a decade since its last issue, the influential publication (which commissioned original, “experimental” fonts from type gods such as Erik Spiekermann, Peter Saville, and Tobias Frere-Jones, and provided them to readers on a disk) returns in
FUSE 1-20, out this month from Taschen.
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